DANCE | INDIAN DANCE | SEMI-CLASSICAL DANCE | OYILATTAM

OYILATTAM

 

 

Oyilattam ( meaning: dance of grace) is a folk dance with origins in the Madurai region of Tamil Nadu. The dance has its origins in southern Tamil Nadu and is primarily performed in Madurai district, Tirunelveli district and Tiruchirapalli district. It was traditionally a dance where a few men would stand in a row with two kerchiefs perform rhythmic steps to the musical accompaniment, with the number of dancers increasing; over the past ten years women have also started performing this dance. Typically, the musical accompaniment is the Thavil and the performers have coloured handkerchiefs tied to their fingers and wear ankle bells. Oyilattam is one of the folk arts identified for mainstreaming by the Tamil university. Mainly Oyilattam is performed at village festivals. It is basically describing the great epics like ramayana, mahabaratha and also lord muruga's history.

 

Indian dance | Indian classical Dance | Bharatnatyam

BHARATNATYAM

Bharatanatyam  also historically called Sadir, is a major genre of Indian classical dance that originated in Tamil Nadu.  Traditionally, Bharatanatyam has been a solo dance that was performed exclusively by women, and it expressed South Indian religious themes and spiritual ideas, particularly of Shaivism, Vaishnavism and Shaktism.

Bharatnatyam be the oldest classical dance tradition of India.

Bharatanatyam style is noted for its fixed upper torso, legs bent or knees flexed out combined with spectacular footwork, a sophisticated vocabulary of sign language based on gestures of hands, eyes and face muscles. The dance is accompanied by music and a singer, and typically her guru is present as the director and conductor of the performance and art. The dance has traditionally been a form of an interpretive narration of mythical legends and spiritual ideas from the Hindu texts. 

Bharatanatyam remained exclusive to Hindu temples through the 19th century. It was banned by the colonial British government in 1910, but the Indian community protested against the ban and expanded it outside the temples in the 20th century. Modern stage productions of Bharatanatyam have incorporated technical performances, pure dance based on non-religious ideas and fusion themes.